Highly experienced and efficient senior visual effects concept artist and matte painter.
Working for the film, TV and advertising industries I take digital environments from their concept stage to final photo real images. Ideally, I come in at an early stage of the project and work closely with the team and my clients (VFX supervisor, director, production designer) to achieve the desired look and feel of a scene or environment. I have thorough knowledge and understanding of visual effects pipelines, production and implementation based on 15 years of experience.
Vanity Fair, ITV (2018)
McMafia, BBC/AMC, (2018)
Three Lives Three Worlds, Ten Miles of Peach Blossom, Dragon TV,China (2018)
Happy!, Sci-Fi Channel, (2017-)
Philip K Dick's Electric Dreams, Channel 4/Sony (2017)
SS-GB, BBC (concept) (2017)
Emerald City, Universal Television, (2017)
Outlander, Starz (concept) (2014-ongoing)
Jonathan Strange & Mr. Norell, BBC (2014-2015)
Dr. Who , BBC (2012/2014)
Into the storm, BBC/HBO production, (2009)
Fruit of the Loom,
22 July (2018)
King Arthur, Legend of the Sword (2017)
A United Kingdom (2016)
London Has Fallen (concept/matte painting) (2016)
Kingsman: The Secret Service (concept) (2015)
A Traves del Espejo (art direction/matte painting) (2014)
Two Faces of January (2014)
White House Down (2013)
Les Miserables (2012)
Total Recall (concept) (2012)
Mirror, Mirror: The Untold Adventures of Snow White (concept) (2012) John Carter (2012)
X-Men:First Class (concept) (2011)
The Tree of Life (2011)
Angels & Demons (2009)
Hellboy 2 (2008)
Franklyn (2008), Nomination for Outstanding Matte Paintings in a Feature Motion Picture, VES Awards 2010
World Trade Center (2006)
Harry Potter 4 (2005)
The Hitchhiker’s Guide to the Galaxy (2005)
Alien vs Predator (2004)
Harry Potter 3 (2004)
King Arthur (2004)
George and the Dragon (2004)
The Pianist (2002)
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